The Emergence Of New Spatial Perception

Video art was born in the 1960s, compared to the commercial film and television media and its private-oriented perspective and confrontational language in the beginning of the birth has served the role of institutional critique. However, after the joint of various media and multi-field operations among art system, while retaining its interior space, video art still reminds us the viewer "here and now" of the present experience, and on the other hand it is extended by exploring new media artist and subjectivity activate and inspire the viewer to perceive the space, while in the ideological level, there is also the possibility of obtaining a new special consciousness. Video art has a special function and aesthetic perception of reflective electronic media systems, meanwhile it can be under the understanding of this process from the creation to the presentation, and have become able to create and launch a new practice space perception. But on the other hand as a creative medium of confrontational ideology, video art, along with the subsequent sound, as well as various forms of behavioral intervention devicesinto space with multiple strategies, and it is constantly intertwined with other media, the convergence of evolution. So it is extremely important tonarrate the video in a new revelation for spatial awareness, while knowing how to tease out the inherent cultural logic.