Guan Hu’s Films Under The View Of The Postmodernism

The Chinese film has undergone a tremendous change with the transition of the social structure and the reform of the film industry. One of the prominent phenomenon which is The sixth generation from the "underground" into the mainstream, and has become the backbone of the Chinese film industry. Guan Hu, is an important person of The sixth generation of director’s in China. He not only insists on the opinion about film, but also receives the attention with unique image and style.One of the postmodern characteristics is allegorical narrative. The main feature of postmodern allegory has four aspects, namely the diversity of time dimension, the fable structure with pursuing, the complicated postmodern images and the allegorical movie characters. Youth, gender, underlying and humanity are four main motifs, Showing the fable world under the multiple reflection. The irrational aesthetic spirit centrally embodies the postmodern characteristics of Guan Hu’s films. Dionysian spirit and fantastic conceptions are the starting point of Guan Hu’s creation myth type. Postmodern artistic style and realistic and fantastic intertwined constitute the postmodern artistic characteristics of Guan Hu’s film. Dynamic composition、impressive light、diversified space、fragmentary image shows unique style of images, realistic and fantastic intertwined which not only reflects his film’s style, but also reveals the road of Guan Hu on film creation from the side.