The Sublime Beauty Of Hayao Miyazaki’s Animation Films

Hayao Miyazaki is a world renowned Japanese animation master. His works with its unique connotation of thought and aesthetic style in America Disney animation giant surrounded by tight encirclement, become an independent school. He insisted on doing the boutique animation principle has been to indulge in elaborating on the animation industry home and abroad, has therefore become the Japanese animation can stand the backbone of the world. In the past research of Hayao Miyazaki animated film aesthetic characteristics and philosophy is the focus of the researchers, but from the analysis paper from sublime perspective is less and less. Animation movie and lofty seemingly far apart but interrelated, inseparable, Hayao Miyazaki animated film is to prove the relationship between the two representative works of value. This will be Hayao Miyazaki, the animated film as the research object, from the sublime aesthetic point of view as a starting point to analyze the essence of beauty, sublime sources summarized works and aesthetic features, and strive for the Hayao Miyazaki animation theoretical research contribute.To carry out this research, the literature, film studies, and other related areas of knowledge will be used, especially pay attention to the literary sublime aesthetics theory in science of thought, the use of aesthetic theory and aesthetic education from the angle of the theory and the theory of reading method, literature method, comparative method, inductive method, deductive research method, content analysis on Hayao Miyazaki’s works animation film work in-depth reading, analysis the sublime summarized in details from the feature works.This paper is divided into three parts. In the first part, the author will introduce the sublime aesthetic term germinal and rheological process, and summarizes the nature of the sublime. The author from the aesthetic meaning of the art form of animation film and lofty essence linked between interpretation of animated films and sublime the connection of the two, thus a good theoretical foundation for the analysis of Hayao Miyazaki animated films in the sublime beauty. In the second part, the author introduced the theory to film the film author belongs to the director of all, therefore, the movie work style and thought should also come from the director, in order to analyze the effect of the animated film Hayao Miyazaki as essential sources of lofty beauty of movie works. The last part will mainly focus on works analysis combined with the role, content instance interpretation of the role of performance noble graceful and tragedy and the way of contrast in the manifestation of humanity and unique value of noble, summarizes the aesthetic characteristics of Hayao Miyazaki animated film beauty.