Research On Artistic Conception In Chinese Freehand Brushwork In Traditional Chinese Landscape Painting

China freehand landscape oil painting after the localization of oil painting hundred years,now there is relative prosperity. At present, the sketch and creation practice to explore the freehand landscape painting art groups gradually expanded, the public acceptance for China style of freehand landscape painting gradually strengthened, and laid a good foundation for the long-term development of the freehand landscape oil painting. In addition, from the ontology of art language itself, to explore with Chinese unique artistic form cannot do without the two aspects: one is the traditional spirit. The Chinese nation has a long history, art has a long history in the blood, splendid history of civilization for thousands of years in the light of art from the poor, many aspects worthy of our exploration and research. Two, innovation. The formation and development of everything cannot do without innovation, so is the art. We only based on the social reality, based on the present,look at the development of freehand landscape painting from the perspective of development, with more fresh blood to make China freehand landscape oil painting "eternal youth", into the sea of art. Mr. Lu xun said in the ISM: "takes its essence, goes to its dregs." It is this two aspects concise interpretation.Assimilation of painting the heterogeneous culture and fusion from it was introduced into China began, this is because of the influence of Chinese traditional painting conception.The concept of traditional Chinese painting is the Chinese Confucianism, Taoism and Buddhism philosophy culture interpretation, the formation of aesthetic ideas and artistic conception of their national spirit. The pursuit of harmony between man and nature scenes,a world view and view of life. The painting artistic conception of the aesthetic category of ancient and modern scholars to conduct the research, and the more, in addition to the artistic conception is the core of Chinese traditional aesthetics, under the trend of globalization, the nation is the world, the national character of art for a nation, is the art of maturity; for an artist. The creation is a sign of maturity. Works of art more nature. Works of art more national, more people, also have the vitality for a long time. Most important, the most basic connotation of national art is an expression of national spirit, is to observe things with the national spirit. So our oil painting is to return. Artistic conception is the core Chinese national spirit, to explore the artistic conception and artistic conception is the theoretical support and practical direction for the nationalization of oil painting. In the development of cultural and artistic diversity today, Chinese many painters conscio usly will China traditional painting concept into the nature of their work, from the concep t of painting on the level of "artistic conception" to the technique, color ink, line, form a nd space. The nationalization of oil painting’s development, is the cultural exchange betw een East and West fusion objectively created with Oriental painting.From the early generation of artists Yan Wenliang, Wu Guanzhong, Su Tianci, Zhang Dongfeng, Hong Ling and Zhao Kaikun in them creation was introduced in China traditional aesthetic concept of painting. The introduction of the concept of painting Chin a aesthetics not only enrich the forms and connotation of oil painting, but also to China the development of traditional culture, with their own artistic practice with the modern in terpretation of the concept of "artistic conception".In this paper, from the artistic conception and artistic conception of the most representative of the freehand landscape painting are analyzed in this paper, firstly discu sses the relationship between artistic conception and freehand landscape oil painting, exp ression and artistic conception in the status and value of landscape painting; secondly, fo cusing on the artistic conception creation method; finally, discusses the artistic conceptio n of landscape painting and contemporary painting freehand landscape painting and the en lightenment.