Research On The Practice Of Landscape Creation Of "Poetic Jiangnan" Series Of Freehand Oil Paintings

As early as the 1920s,a group of oil painting artists who were deeply influenced by traditional Chinese culture unconsciously showed an oriental way of painting in their works,which Mr.Wang Yachen called "oil painting of Chinese",which was also the beginning of the nationalization of oil painting.Based on the results of several generations of oil painters on the road of oil painting nationalization,the research in this paper is based on how to more effectively combine the concept of traditional Western visual arts with the "freehand" spirit of Chinese literati painting,so that oil painting can achieve the utilitarian nature of oil painting nationalization and the unity of traditional Oriental aesthetic interests.Based on the current research results at home and abroad,drawing on the creative achievements and achievements of Wu Guanzhong,Wu Dayu,Hong Ling and other famous artists,we will start from ourselves to create landscape oil paintings with the theme of "Poetic Jiangnan".Borrowing the combination of traditional Chinese painting concepts and Western visual arts to express China’s "poetic" aesthetic ideas,the two are created to create oil paintings that are unified.