Analysis Of The Script Of Mo Yan

At the end of the eighties of the twentieth century, Mo Yan by dint of passion and of literary creation has a strong love for picking up the novels adapted screenplay banner, to reverse the traditional attitude embarked on a road of script writing.In the exploration, he gradually formed a unique personal style, considerable attention and awareness, such as "Red Sorghum", “our Jing Ke "and other works at the box office exceeded one million, forming a certain influence on the commercial.Mo Yan has been passed through more than 20 years of script writing, by combing and analyzing the related works found precipitates from the initial accumulation stage drama to the product influence, Mo Yan’s writing has undergone three stages of development.Holding his attitude to the absorption of the traditional drama theory, absorb the integration of many western drama practitioners and theorists philosophy, forming a unique "Morse" feature of dramatic narrative style.His avant-garde drama has been influenced by the postmodern culture, and the effect of the drama is the pursuit of humor, game and carnival.. Good script first needs to have certain social art, which is the core value and the soul, not just the pursuit of momentary pleasure, and the carefully try to figure out and aftertaste.In addition, the script and the business is not mutually incompatible, good business is help to a classic script to realize the significance of its existence, so the script be with on the basis of certain social and artistic value, get the audience good commercial effect desired, recognition, rather than just narcissistic.In this pay more and more attention to visual media era, traditional literary works and act like human mental and emotional activities of movie and television literature should be restored to its original cultural identity, as an important form of artistic text were included in the category of literature research.