From Public Camera To Personal Camera

This thesis is a study about French film artist Jean-Luc Godard’s film-making.In the world film history, Jean-Luc Godard is an important role. Godard is extremely concerned about the form and political propaganda value of the film, Godard revolutionized the form of the film, the clever fusion of political ideas individuals adhere to the movie. Each of his films and every transition has caused widespread concern in the film researchers and social cultural, and thus also caused extensive discussion of foreign film studies, but throughout the country, to Godard’s study is a little lacking.Therefore, starting from the interest, I choose Jean-Luc Godard as the research object, through the introduction of a "private camera" theory and methods Italian scholar Laura Rowley raised Raska explore Jean-Luc Godard creative features and characteristics of their movie camera from public to private consciousness camera transformation & Development. This article will be placed in Godard’s films in which the context of its era, the specific case of Godard’s classic film combines several creative period, analyzes the formation of a unique art form Godard internal and external driving force.The difficulty lies in foreign language study data collection, collation and analysis of utilization, workload and difficulty are quite large. I believe the completion of this study will help to further the understanding of Jean-Luc Godard’s position in the world of film history, will contribute to the understanding of its impact Godard films and filmmaking and research to bring home some inspiration.This thesis is divided into three chapters, the first chapter explores the theory and methods, the heaviest weight of the second chapter, the end of the text is to analyze the Godard film, the third chapter from the perspective of media development Godard whole creation has been in a viewing angle.