Research On "Taipei People" Writing By Mainlanders Novelists Since 1949

After 1949,due to Taiwan’s special historical and political situation of mainlanders writers "Taipei people" writing, the history of more than 50 years after the war literature in Taiwan, is not only a unique phenomenon, also a form within the context. "Taipei man" image of the characterization and interpretation are reflected the writer’s own spiritual pursuit, and the related subjects and abound change heavy and complicated, novel in addition to the consistent on both sides of the identity of dialectical expression, provincial home countries outside of the city under the background of interaction, also reflects their growing and much of the time of the different cultural landscape. This study selected to reflect Taipei times feeling and spirit depth work as study object; Based on close reading of the text, exploring from the 50s of Bai Xianyong to active literary world of the second and third generation of mainlanders novelists of the "Taipei people" works present a tension and aesthetic value of literature.This paper is organized around the characteristics of "Taipei people" since 1949.The main content are as follows:Introduction part first to define the concept and scope of "mainlanders writers", "Taipei" ", Taipei people". Section one mainly discusses provincial examinations and the concept of the writer and their related main creation; Writing for Taipei city in the second quarter, and the "Taipei people" under the city gave birth to do an interpretation of cultural geography.Chapter one mainly combs after 1949 provincial narrator "Taipei people" writing context, with period is divided into three sections, section one mainly combed the fifties and sixties to Bai Xianyong, when, and so on as representative’s prototype mold, "Taipei people" in the text characters at the "body, home and country", with a strong homesickness nostalgia.In the second quarter, Zhu Tianwen writers such as affected by the 70s literary controversy "Taipei man" image change, after the establishment of the new local consciousness, from "country garden" to the "garden".They begin to pay attention to the depict of characters themselves; Section three main carding after 80s, represented by Zhang Dachun and Luo Yijun,writer’s "Taipei people" shows a kind of "home complex", the characters in the works from Taipei to imagine China, searching for their own home.Chapter two mainly using text and related "Taipei people" in the view of psychoanalysis prototype parsing. Writers "Taipei people" can be divided into three categories, which in turn formed three sections:the first section mainly analyzes differences between "new and old" space,and feelings of the loss of lonely.Migration from the mainland people are quite different from other provinces; The second section mainly analyzes the "flesh" not packing in the game, struggling life, betray body and inner tension of the contradiction of self-esteem; In the third section mainly analyzes the "actual" mystery city rover, then the author analysis some commonness and individuality:city’s illusion of construction and destruction, the hero to save itself and desire to write.Chapter three mainly discusses the cultural representations behind the "Taipei people" image. From Taipei people "hometown" imagination New Taipei people, orphans writing consciousness. First, consciousness of their mainland China complex and parse, from the analysis on the prototype of "Taipei people" is summed up how to trace the history, because of the historical changes, a Taiwan writer, the twists and turns of life and full of tragedy, in his works also unconsciously responded to sorrow when break the tradition. Then raises orphan looking for mother, lonely I for the motherland" appeared at the edge of the consciousness. Again, contact the new contradiction and struggle of Taipei people, parsing a new generation of mainlander about the identity of the anxious state of mind. Vagrants descendants, for the identity of the fathers are persistent to pursue changes have occurred, in seeking for the individual identity of thinking at the same time, more focus on group ownership of political identity.Chapter four on the basis of analysis in first three chapters text, explores and analyzes the writer’s creation psychology and literature aesthetic value. Through the writer’s psychological analysis, the writing of the edge shape in exile abroad province "Taipei people" group, summarizes their memory and multiple identity, home countries chosen by Chinese culture complex, which embodies the unique aesthetic connotation of belong to this type of novel.