Chinese Dulcimer Accompaniment

Yangqin was introduced into China, quickly accommodationwithChina’straditional ethnic Musical Instruments, among them, the number of dulcimer used in folk rap artthe most numerous, itsinfluenceisalsothemostfar-reaching.Withtheconstantchangeofyangqin incomingshape,whichisusedbymanyensembleperformanceinourcountry,suchasatthetime waswidelyappliedtojiangnansilk,guangdongplaceinnationalinstrumentalmusicensembles,suchasmusic,inturn,yangqinaccompanimenttechniquesisbecomingmoreandmormature.t the beginning of the new China wasfoundedin1949,thecountry’snationalmusicalsowillbe theexpansionofdevelopment,whichmakestheharpaccompanimenttocomethefirstflourishi ng periodinhistory.YangqinwasintroducedintoChina,quicklyaccommodationwithChina’s traditionalethnicMusicalInstruments,yangqinfootprintsallovertheworld,sincewasintroduc ed into China for hundreds of years,yangqinunceasingreform,hasbeenprogress,gradually evolved into with characteristic of ChinesenationalMusicalInstruments.Sofar,theChinese dulcimer music art has to be reckonedwith,accompanimentfunctionalsograduallyrich,has become a cultural phenomenon. But from thepointofthepresentsituation,ourcountry’sfolk world of dulcimer music attention isalsothelackofsuchaphenomenonismainlycomesfrom the theory study of yangqin thoroughly enough in our country, in the practice ofteaching is lack of. This makes the harp accompaniment in the whole subjectarchitecturebecomes a dispensable "chicken ribs", not to give the corresponding academic status.