The Schema Language Of Oil Painting Landscape And The Reality Of Representation

In Europe, the landscape painting from the "grand narrative" painting separated and developed into an independent painting, along with the expanding of the theme of the landscape paintings, style evolution, changes in technology, painting language is unceasingly rich, in the long history of painters for real world depicted produced a rich style. In history, the artist is different from the "real" cognition, and the culture is different, but from the "see" to "feel" to the final "performance", this sequence is the same. Before the 19 th century, the painter is universals and is not concerned with personal description of this is emphasizing the "program", with the reality of attention since the 18 th and 19 th century period of transition, the artists gradually began to come out from the traditional "program", trying to restore "reality", but artists is impossible to abandon this "program", smashing the old "program" at the same time,the new "procedures", the resulting, and for the "real" cognitive and has influenced the painters. This paper mainly discusses the realistic painting, and tries to find the relationship between the "real" problem and "program" in the painting from the perspective of semiotics and image science.