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The City At The Beginning Of Landscape Painting Searches

Posted on:2008-01-04Degree:MasterType:Thesis
Country:ChinaCandidate:W Q ZhouFull Text:PDF
GTID:2155360215455040Subject:Fine Arts of Chinese painting
Abstract/Summary:PDF Full Text Request
The city theme drawing has the remote origin, but it always does nothave the determination in the traditional drawing the position,sometimes belongs to the portrait, sometimes submits to the landscapepainting. It should have the oneself independent position. Along withthe city next unceasing development and the transformation, will beable to give the city theme without doubt in this advancement toprovide the theme and the source material which the incomparably richrose will exert, and to Chinese drawing by traditional form to modernshape change powerful impetus function Through to "the city" the attention, can cause the ink and washpainting but comparatively little to cut into the present world lifefrom the former multi- pictures open country in the traditional customto go out, and abundant Fushui ink creation development. The articlewas is rich and the development from the city scenery to traditionalShui Mo and some concrete questions which met in the city scenerycreation (mark, form) these two aspects proposed some superficialviews to the city scenery.
Keywords/Search Tags:City landscape painting, formula mark, form
PDF Full Text Request
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