The Artistic Features And Teaching Annotation Of Wang Jianzhong S Piano Music

Mr. Wang Jianzhong is a famous pianist and composer in our country. He has created a lot of excellent and outstanding piano works with national style in his art career. These piano works embody the great achievements of Chinese piano works, which have great influence on the development of the piano industry in China. Mr. Wang Jianzhong the European professional compositional techniques and traditional folk music elements of the ingenious fusion, produced a lot of classic and popular works. Among them, Mr. Wang Jianzhong "five Yunnan Folk Songs", "Liuyang River", "bainiaozhaofeng" national vocal music, instrumental music piano transcriptions, have adopted a variety of creative skills, show the Chinese piano adapted song writing style and music features. These Transcriptions for the piano, in the creation technique aspects, mainly focus on using with national music style characteristic of polyphony woven body, harmonic language, ornamentation, complex atonal technique, plate rhythm added a variety of elements of folk music into piano music, so as to make the piano this source since western music "imported instruments can play exudes a strong flavor of the ethnic style of music works. Of course, Mr. Wang Jianzhong also skilled at the similar imitation polyphony such western music techniques elements skillfully integrated into national music transcriptions to and reach Zhulianbihe effect.In this paper the main research content is divided into four chapters: Chapter one is on the "first five" of Yunnan folk song music analysis, respectively "Dali girl", "with elder brother", "guess tune", "folk songs", "dragon" this is the first of five different piano works of music structure analysis, and summarizes the its creative characteristics respectively with the help of nationalization chord tonality characters emotional characteristics, innovation and application. The second chapter is the analysis of the music of the "Liuyang River", the music structure and the creative characteristics of the works were analyzed. The use of the national style and the use of the national harmony is the most important feature of the two. The third chapter is on the white bird toward the Phoenix music analysis, respectively, on this piece of music structure and creative characteristics analysis. The piano vivid simulation of national musical instrument sound effects and good at writing a variety of polyphonic texture. The fourth chapter is on the teaching of Wang Jianzhong’s three piano adaptation, according to the creative characteristics of the first three chapters of the performance of the practice, to enhance the artistic creation of Mr. Wang Jianzhong’s two degree of artistic creation and aesthetic.