Research On The Performance Of Lines In Chinese Contemporary Enjoyable Oil Painting Art

All lines, from Association of the edge of the things we feel some phenomena of nature,specifically, it does not exist in the objective image.A heavy mountain or a cliff is a natural universe presented in one aspect and a state, we can’t change the objective existence.But the lines are subjective.A thread can draw thousands of mountains,it is people in order to mountains and to grasp the cognitive line draw numerous hills and streams of creative work.It is the combination of subjective and objective.From the ancient to the present, the line of the interpretation is ever-changing,different races give it eternal emotion.For Chinese of traditional painting, lines of language nature and the subjective nature of the universe emphasizes the harmony of the spirit, the formation of the traditional art of painting Chinese respect for the images, so that it can do not undermine the object shape, and can obtain the perfect unity between shape and spirit, emotion and reason, subjective and objective on the view of relationship.Thus, how to integrate the Chinese traditional ink and ink spirit into the creation of imagery oil painting to achieve the "words" and "endless", with the limited current aesthetic effect, will be a problem worthy of further consideration.In this paper, the Chinese contemporary freehand painting as the object of study and based on the study of the traditional line spirit to reveal the fusion and evolution process of contemporary Chinese and western painting arts through the research on the techniques of traditional lines, and make comments on the performance, application and effect of the traditional Chinese painting line art in Chinese enjoyable oil paintings.It will be carried out in the following levels:The first chapter is the introduction,brief account of the author’s research origin, the significance of the topic, the main direction of the paper, the literature search process, etc.The second chapter mainly introduces the artistic origin of traditional lines in enjoyable oil paintings.The part discusses the historical origin of the lines and the development background of the contemporary history from the perspective of the history of the development of Western painting and Chinese traditional freehand brushwork.The third chapter mainly from the two aspects of subjectivity and spirituality to introduces how lines are used by contemporary artists to embody artistic and humanistic spirit in enjoyable oil paintings. The part analyzes the representative artists in contemporary China and the spiritual thoughts in their works to present the ideological state of the artists who interact and coexist with cultural ideological trend in the fusion trend of Chinese and western culture, aiming at reflecting the dynamic performance process how the cultural spirit of imported art and subject artistic spirit interact with each other and giving some revelation on how the line spirit of enjoyable oil paintings affects the style and features of arts of future generations. Chinese painting art has been closely related to line since its birth, and the artists have never stopped the exploration of line since ancient times. It is not only an important art form of expression in the creation of traditional Chinese enjoyable oil paintings, even in the diversity of arts today, its artistic effect is still unabated. The fourth chapter mainly introduces the line spirit of the freehand brushwork to the contemporary artist’s creative inspiration.And affirmed the expression of freehand line on the road of pursuing national oil painting to the achievements,is an important direction for future progress and development of the Chinese oil painting.The fifth chapter shows the author’s practical achievements and creation process and first thinks about the author’s practice of oil painting in the artistic influence of freehand brushwork lines, analyzes the present artists’ line consciousness and the problems of freehand brushwork creation, emphasizes the reflection on the aesthetic form of the simple indiscriminate imitation in the past, aiming to reveal that in the current multi-cultural pattern, art creators should possess cultural quality and artistic mind.