The Affective Factors Of China Lines In Contemporary Oil Painting Creation

Today more and more painter focus into the nationalization of Chinese oil painting, in the field of contemporary Chinese art, there has been flourishing scene. Explore their own professional language and form their own unique artistic style for every artists is extremely important, especially since the development of oil painting, regardless of time, space, geography, environment and new people always find themselves painting oil painting alternative ideas, whether traditional or modern oil painting on canvas, whether domestic or foreign, people of different aesthetic needs of the painting and the painting itself and explore different understanding, so that oil development has formed the "Hundred Flowers" social phenomenon. Based on the demand for aesthetic painting, oil painting from the application of the starting line and emotional expression, feel the unique role of the United States to play different lines in different oil paintings, so the United States to bring people of different spiritual feast.Painting today, the line is not only depict the outline of things, but to become dominant and recessive wire line, oil painting lines on the performance can be roughly divided into two categories:one line reproduction of artistic expression of things, and second lines of their own emotional performance, but with the essential difference between the two:the former because of the use of lines more purposeful, so in order to effect the picture, not the unbridled use of lines, which are more subject to the artist’s inner feelings in the creative process, so lines more arbitrary. In art, only two will be good together, in order to create consistent with the expression of true feelings and aesthetic works. By studying Chinese contemporary oil painting works of art, to analyze the lines of emotional expression in Chinese contemporary oil painting, which guide their artistic practice.Dissertation consists of four chapters. The first chapter is the introduction. The second chapter of the line performance and aesthetic characteristics were elaborated lines, curves, and a graphical representation of the dominant and recessive line painting lines in the performance, and to explain the aesthetic features of the line through the work, giving the paintings with to the aesthetic experience. The third chapter is mainly about lines reflected in the Chinese contemporary oil painting, including lines reflected in figures in contemporary Chinese painting and Chinese landscape painting contemporary manifestation analysis of representative paintings, to understand the different lines in their different emotional factors paintings brought in to form a work of art has its own unique artistic style. The fourth chapter describes the line with the use of subjective feelings in oil painting, and are summarized in the creation of domestic and foreign artists use lines with subjective feelings, he applied his own painting.