Rseareh On Shanghai Documentary In Media Eeology Sight

In light of the Chinese documentary films, excellent products with insightful, artistic and aesthetic values are emerging in multitude in the era of the fast and comprehensive development of the national economy in China. The development of local documentaries from the perspective of media ecology is carefully analyzed in the paper, following the concept that media, as a subsystem of the society, maintain a harmonious relationship between its interactions with the inner structure, other media and the surroundings. The connections between the Shanghai documentaries and the audience, the industry and the society are summarized in the paper.The first part analyzes the Shanghai features in the specific context from the theory of environmental ecology, focusing on these three independent elements of geography, audience and directors.The second part is centered on the Shanghai sentiment under the certain cultural background, reflecting the lifestyle, entertainment activities and the discourse power of the grassroots.The third part pays an exclusive attention to the survival and development of the Shanghai documentary films from the perspective of media ecology, including an introduction to these broadcasting platforms like the Shanghai TV, film festivals and network resources.