Analysis And Processing Of Music Style Of Mendelsohn’s Three Songs Without Words

Jakob Ludwig Felix Mendelssohn-Bartholdy( Jakob Ludwig Felix Mendelssohn-Bartholdy,1809—1847),German composer,pianist, organist, educator, conductor.Mendelssohn was born in the 19 th century, he grew by a good musical education, because of its historical background and personal style influence, he created a lot of early music typical romantic music, including "Songs without Words" is particularly typical significance. Mendelssohn’s "Songs without Words" has a strong role in promoting development in the history of piano music art is the perfect combination of technology and art."Songs without Words" a total of 49, divided into eight whole episodes, music composed by six, and another one is not numbered works. "Songs without Words" lyrical singing as the main characteristics of a cantabile melody impress people with varied and uniform style of music. Op.30 No.4 works with a large number of sixteenth notes texture to the main part accompaniment, so that a more diverse style of music, the Song Zhang relaxation, and enhance the beauty of the music movement, is compatible with the classical and romantic era music atmosphere. Op.62 No.6 work is one of the most popular music of Mendelssohn, the use of a large number of decorative tone texture, use this feature to make music full of vitality, showing a vibrant spring scenery. Works Op.102 No.2. Select soft board were slowly tell, like gurgling water flowing slowly, so that the listener can play endless imagination to feel the music depicted pastoral mood, at the same time, using a large number of complex transfer approach to writing, making music more rich layering.In this paper, these three works in which analysis and research, from the musical structure of the song, musical styles and works himself playing three aspects of understanding and feeling a careful analysis to show how Mendelssohn "Song without Words" artistic value.