Performance Analysis Of "Phonology And Painting" Of Mendelssohn’s Song Without Words Op.62

Felix Mendelssohn is one of the outstanding composers in the period of German Romanticism.His piano sketch "song without words" is his first genre,with a history of 15 years and more than 50 works.Among them,48 works are divided into 8volumes,6 in each volume,and the rest are not included.Therefore,it can be said that the creation of song without words almost runs through most of Mendelssohn’s life,and it is also one of his most iconic works.The sound and painting in song without words are closely linked and inseparable.How to analyze and use the sound and painting of the work to better interpret the music content,so as to obtain a more vivid and diverse sound with rich levels and a sense of picture is the focus of this paper.This paper focuses on the sound and picture in op.62,and analyzes it from three aspects.The first chapter introduces the background of the work;The second chapter analyzes the music of the works with the combination of sound and picture,and analyzes its various musical texture and the development of melody such as song;From the perspective of performance,the third chapter analyzes and summarizes the difficulties in the performance of the works from three aspects: t he dynamic of the wind derived from the decomposition of the flowing chord,the use of elastic rhythm to depict the development of different scenes and the simulation of a variety of sounds at different voice levels.Through the analysis of the sound and p icture of the works,it can help the performers to interpret the works better and the readers to understand the works better.