The Unscramble Of The Existing Li Qingzhao’s Ci Poetry Of The First Sentence ’s Punctuation And Connotation

Li Qingzhao’s ci criticism is Chinese Ci’s criticism model in history, reflects Li Qingzhao’s understanding of the origin、the development and the character of ci on Tang and the Five Dynasties to Northern Song Dynasty.The understanding of the first sentence of ci criticism, "Yuefu,Shengshi, popular together in the year of the the Kaiyuan、Tianbao of the Tang Dynasty" include the meangning of "Yuefu" 、 "Shengshi" and the time limit when they both popular together.It is the key to understanding the uniqueness of Liqingzhao’s viewpoint to ci’s origin and characteristic.Papers in the introduction part mainly explains the background of the selected topic and the research value of ci criticism, ci criticism the earliest found in Hu Zai’s"A clump of speech of Tiaoxi Yuyin" in Volume 33 records, since the masterpiece came out,caused the interest including Hu Zai, Zhao Yanwei, ancient Ci critics, the ci criticism got mixed reviews, the focus of the debatee understanding of ci criticism’s first sentence, Yuefu, Shengshi, popular together in the year of the the Kaiyuan、Tianbao of the Tang Dynasty",the meangning of"Yuefu"、"Shengshi"and the time limit when they both popular together.concept of interpretation and extending there from of Li Qingzhao’s understanding of the origin of ci. Scholars unscrable of ci criticism, due to old age, or because of the different perspective, or due to have different amount of materials research, resulting in different interpretation of the first sentence of ci criticism. This paper sum up different opinions, based on ci as the characteristics of music literature, combine with music and literature, and return to text ci criticism itself, in order to make an objective and fair understanding of the meangning of"Yuefu"、"Shengshi"and the time limit when they both popular togetherThe first chapter of the thesis,summarize the understangding of the meanming of "Yufu" 、 "Shengshi" of the scholars, according to the same principle follows, divided into four camps: one, that " Yuefu " is the ci, " Shengshi" is the Tang Dynasty Sing Poetry; second, that " Yufu " refers to the Tang Dynasty Yuefu poem, the "Shengshi" means "sound" and " poetry "; third, that " Yuefu " refers to the Tang Dynasty Yuefu poem,the " Shengshi " means Ren Bantang’s " Tang Shengshi ";fouth, that " Yuefu" refers to music of Jiao Fang, "Shengshi " refers to the collection of poems by the imperial court. On this basis, distinguish differentces between different scholars on the concept of the understangding of "Yufu" and "Shengshi".The second chapter of the thesis, based on ci as on music literature, based on ci as the characteristics of music literature, combine with music and literature, and return to text ci criticism itself, to make an objective and fair understanding of the first sentence of ci criticism,the meaning of "Yuefu" 、 "Shengshi" and the time limit when they both popular together; and judge the advantages and disadvantages of the viewpoint by in compare with different scholars different understandings of the first sentence on ci criticism.In the Conclusion part, once again clearly specify the understanding of the first sentence of ci criticism, the meaning of "Yuefu" 、 "Shengshi" and the time limit when they both popular together.