Analysis Of The Eleven And Thetwelve National Exhibition Of Watercolor Works

National art exhibition as in China, the most authoritative nature and most has the effect of the influence of comprehensive art exhibition, showing the Chinese art creation of the latest and highest level of development, also the interpretation of the new trend of the development of Chinese art in various categories, it can be said is art of a most authoritative and ornamental event, is the in the art world of obtained results show a highest temple. To participate in the eleventh and Twelfth National Fine Arts Exhibition of award-winning watercolor works not only achieves a good academic and artistic effect, at the same time, but also in the social from all walks of life also had a widespread influence. I think, in achieving some success at the same time, there are some problems in the future development, and put forward some personal views.First is the achievements, the national art exhibition, in the works made considerable achievements, both in skill or in terms of artistic achievement, or ideological content have made proud achievements. The first point is to break through the category of "writing essays", a large or long works began to appear, change the past, watercolor painting on the space limitations; secondly, the author began to reflect society and admission, the relationship between man and nature, the deeper began thinking of industrial and ecological, which is the creative idea of progress. Finally, from the eleventh and twelfth twice national art exhibition of works can be seen, contemporary Chinese watercolor painting creators of more and more deep level to the theme of creation and thoughts will increasingly works give soul. This is the progress of Chinese watercolor paintings and Chinese watercolor paintings to the sign of maturity.Sum up is our contemporary Chinese watercolor painting works more and more rich connotation and cultural connotation, although the trend of contemporary life and reality has a little free and wandering. But from the perspective of the overall analysis, the two national art exhibition of watercolor works has gradually close to the Russian literature and art theorist Chernyshevsky earliest and complete exposition of "art comes from life than life" theory. This theory can be said to be a guide and the basic theory of the art creation, the simple and basic theory is flawed and problems in the history of art can not be avoided, but also our art development a major problem faced by the problem will be long lasting, and become history the art of the past, present and future need to face and solve a problem; secondly, the excessive pursuit of art exhibition. Although the effect has improved, but still exist, then ignore the art value of life itself, the lack of the traditional watercolor art elements, a write performance effect is not strong enough to reduce the aesthetic effect and artistic works. Finally, watercolor painting is most a source in the western and the introduction of modern Chinese art discipline, both past and present, need a strong culture into the process, produce a kind of Arts Development and are a long and tortuous and complicated process of struggle. Therefore, we learn the western culture at the same time, we also need to integrate into the scope of our local traditional culture and atmosphere, which can be said to be part of the contemporary art of the era of responsibility and historical mission. This requires us to carry out the creation of watercolor paintings at the same time, into the essence of traditional Chinese culture and historical heritage. This paper argues that to the broad and profound Chinese culture and the reality of life as the foothold of the creation of watercolor art works, in reference to the advanced western way at the same time, should not lose their color, calm in the face of materialistic caused by the rapid development of the times, grasp the time development of rhythm and historical progress of pulse, the watercolor painting creation with superb "fine" and "Qi", "God" support. Learning and drawing lessons from the traditional Chinese ink painting at the same time, learn from the elements of diversified development, to maintain their own characteristics, from all aspects of nutrition, so as to achieve the purpose of improving the self and artistic sublimation. Continuously for a long time, Chinese watercolor art creation will formed its own unique performance style and superb technology charm, usher in their bright prospects for development and a more brilliant achievements.