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The Current Situation Of The Development Of China Contemporary Oil Painting From The Perspective Of The Twelfth National Art Exhibition

Posted on:2016-09-22Degree:MasterType:Thesis
Country:ChinaCandidate:X H XuFull Text:PDF
GTID:2285330464955818Subject:Fine Arts
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Since reform and opening, with the rapid prosperity of the cause of China’s national economy, the development of cultural undertakings, contemporary oil paintings has also been a huge development. There is no doubt that this exhibition, held by the state-led frequently to the prosperity of the art today plays an undeniable role in promoting. But people in the social and cultural development of the high-speed, in-depth study of the various ideologies, gradually formed its own opinion for institutional activities, especially in the last few years for the selection rules, selection criteria, the operating mechanism and exhibition presence rationality have made a lot of sharp questioning, since the law itself and the painting of this exhibition different forms of coordination, in terms of artistic development point of view, the negative effects of these exhibition generated in academic than positive effect, so The detailed analysis of the National Art Exhibition has some secular significance, but also plays a crucial influence on the development of Chinese contemporary oil paintings.From the consolidation of the Twelfth National Art Exhibition Painting exhibition demonstrated derivatives of the National Art Exhibition Some Thoughts.The main first part is an introduction, ask questions and the status and significance of the research purpose, the status quo of contemporary Chinese paintings feature the second part of the second session of the National Art Exhibition and a variety of subjects, as reflected in the performance of the analysis, the third part describes impetuous creative mind under the influence of Chinese contemporary oil painting produced by the National Art Exhibition, absurd aesthetic pursuit, the wrong academic paradox, the lack of cultural spirit, is the fourth part of this paper will focus on the Twelfth National Art Exhibition impact on the development of Chinese contemporary oil painting and the resulting Reflections on Contemporary Chinese painting and other aspects of development, put forward the call to restore the power of artistic truth, respectively, from the National Art Exhibition review system to optimize the relationship between co-ordination of contemporary painting and art education, the development of traditional culture elaborated on three aspects of the spirit, the last part of the conclusion made some of their own thinking and conclusions.By analyzing the status quo and the National Art Exhibition academia comb and listed some of the comments, conduct a deeper inquiry, reasonable conclusions. For the moment I would like to draw the national art exhibition of contemporary painting and the development of more in-depth discussion, the formation of more plentiful theoretical results, a reference for policy makers, better artistic industry, management and guidance, push down the reform arts industry.
Keywords/Search Tags:Second session of the National Art Exhibition, Contemporary painting, Push reform, Traditional Spirit
PDF Full Text Request
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