Research On The Present Situation Of Heilongjiang Watercolor Paintings In Nationalart Exhibitions After The Reform And Opening Up

As a creative art with local and border aesthetic effects,Heilongjiang watercolor promoted the new process of watercolor art in China.Over the years,Heilongjiang watercolor art has a high artistic level in the form of expression and innovation,and has become the main force in the national art exhibition.After the reform and opening up,longjiang watercolor has not only achieved excellent results in the 11 th,12th and recently concluded 13 th national watercolor art exhibitions,but also won wide praise and recognition from academia and all sectors of society.This is the result of the joint efforts of several generations of Heilongjiang watercolor artists,which fully reflects the profound foundation of contemporary Heilongjiang watercolor creators and the beauty of the soul of their works.This dissertation will focus on the reform and opening up after the national art exhibition in Heilongjiang region aesthetic characteristics of one by one analysis.The article is divided into five chapters: the first chapter is the introduction.The purpose,significance,method and innovation of the research are summarized.The second chapter mainly explores the development of Heilongjiang watercolor paintings in all national art exhibitions after the reform and opening up,demonstrates the achievements and problems of Heilongjiang watercolor paintings,and summarizes the characteristics of Heilongjiang watercolor paintings.The third chapter analyzes the artistic achievements of Heilongjiang watercolor paintings that have been selected into the national art exhibition after the reform and opening up.By combining the works,it classifies the contents and subjects and refines the forms of expression.Among them,there are some academic artistic achievements of young painters,and the authority of watercolor expression is driven by the experimental innovation of theoretical integration and diversity.The fourth chapter is the characteristic language analysis of Heilongjiang watercolor paintings selected in the national art exhibition,which forms the continuity of aesthetics between tradition and modernity,between culture and artistic conception,between technique and innovation.The fifth chapter is about the change of Heilongjiang watercolor creation trend under the artistic orientation of national art exhibitions and what attitude Heilongjiang watercolor should face in the future.The full text will fullyreflect the Heilongjiang watercolor people and regional watercolor works of the humanities and cultural background.And adhering to grasp the pulse of history,fully display the "essence","gas","god" cultural and artistic background as the goal.