The World Of Emotion In Qianjia Period To Shed The Western Poetry Study

The Qing dynasty is the second in the history of Chinese dynasty ruled by ethnic minorities and it is also the last dynasty of feudal society in China. Qianjia period of qing dynasty is the turning point of the feudal society from prosperity to decline, highly centralized central rule, a serious political criminal law, an unprecedented imprison ideology and culture, and the condition of social corruption and spreading across religious uprising under the society led to a great amount of exiles. In order to reduce the pressure of too many exiles in Northeast region and meet the demands of wasteland to garrison and punishment, a majority of exiles were sent to the western region.Poetry is the cultural carrier of the poet lyrical, stream of exiles were sent to the frontier which is housands of miles away from home, the oppression of body and spirit when facing with western area’s unique natural and humanistic, their heart are all tangled and complex emotions fully filled heart, natural need to be vent through a way, so one kind of poetry which have a flow of identity characteristics and the western region characteristics emerges with the tide of the times. Predecessors’ research on the exiles at the period of Qianlong and Western poetry focused on the individual units, analizing the life in garrison and poetry creation and influence on cultural and production, but it lacked the research on the convection mentality and emotional world of exiles. This article focuses on Qianlong and Jiaqing period of the special political and ideological background, and the unique geographical environment and regional culture in western area were the premise to discuss mental state and emotional world of people in the exiles’ poems in western region.The part of introduction of this article is mainly related to the relavant concepts, the reasons and significance of this topic as well as the creation mode of the history of Western poetry. Main part consists of four parts: group generalization of exiles in Qianlong and Jiaqing period is the first part, putting the emphase on exiling reasons,releasing situation, streams of people in the survival and psychological states on western regions; the emotional theme of western poetry f the Qianlong and Jiaqing period is the second part,taking patriotic feeling,homesickness and righteousness as a clue,making a concrete analysis on exiles’ emotional world;the exiles’ emotional contradiction world of Qianjia period is the third part,, giving a detailed discussion on expression, reason and self-resolved method when they focused on the buddha, love and wine as they felt "External demand may not reverse its body"; the emotion characteristic of western poetry of exiles is the fourth part,unscrambling the documentary technique,the art of allusions and Self- Symbolic snow and pine. The documentary style is mainly started from the causes and manifestations while the art of allusions is summarized and classified according to the content.