An Analysis Of Schema Composition In The Creation Of Chinese Watercolor Painting

Watercolor different from other kinds of painting is characterized with unique artistic language forms and aesthetic value, and has a special place in the history of art in the history of painting. Watercolor painting is commonly known as the lyrical light music, easy refreshing. Transparent, fresh visual expression is considered watercolor manifestations in various historical periods. The drawings constitute an important means in the form of painting language is reflected in the meaning of work, the painter cognitive schemata ideology determines the means of painting performance uses. In the environment and social development, the creation of watercolor paper China drawings constituted as a starting point, analyzes Chinese watercolor painting since the 1990 s in the development of contemporary Chinese language schema from a particular painting composition Schema. Watercolor pave the way for the development of three-dimensional, patterned drawings explore contemporary aesthetic mode characteristics; analysis Chinese watercolor composition schema concept appears in the creation, development, and exploration of schema languages watercolor aesthetic value in the moment of creation, so as painter It caused more widespread attention and thinking watercolor creation. The main part of this paper explain the following four. The first part discusses the impact of schema language of today Watercolor Painting, combining Eastern and Western painting schema language appeared, to analyze the causes of the development of Chinese contemporary watercolor painting in the drawings constitute the proposed emphasis on painting in the drawings constitute performance. The second part mainly through the drawings in watercolor aesthetic expression, diversity, present a problem in Watercolor Painting Watercolor language schema configuration to elaborate drawings constitute value in the contemporary art of watercolor. Because painting is an independent freedom of expression and catharsis to reflect the personality of the charm of painting, combined with Chinese characteristics and the law of development of the arts to discuss the vitality of contemporary aesthetic ideology in contemporary China drawings constitute a watercolor creation. The third part is based on Chinese Contemporary Watercolor Painting new era, elaborate drawings language of practical significance in watercolor. The fourth part of their own work to expand the discussion of the schema language in the use of watercolor.