From "The Calligraphy And Painting Homology" Dong Qichang’s Calligraphy And Painting Art Practice

Closely linked to Chinese calligraphy and Chinese painting, since ancient times there is "the calligraphy and painting homology" say. And since the ancient times are well aware of this art idea and art practice to the home also has a lot of, "the calligraphy and painting homology" theory is gradually developed by the yuan dynasty in the great artist zhao mengfu, finally put forward. In addition, the Ming dynasty last years of dong qichang is one of the calligraphy and painting homology at the above achievements are painting and calligraphy artist, his calligraphy and paintings have achieved a certain height and book and painting is in close contact, of course, his artistic practice is not only these. This article is from the perspective of "the calligraphy and painting homology" such a path to comb dong qichang life art practice and analyze dong qichang is how to practice calligraphy and painting homology in the art practice, the article will from the calligraphy and painting homology is put forward and the significance to the analysis on some specific contact book and picture, and then introduces the art of dong qichang’s life, focus on his book linked to draw between the important artistic ideas and his art practice. In the final analysis to achieve the specific reason for the calligraphy and painting homology of dong qichang, so as to get the analysis some reasonable and get some inspiration.