Research On The Writer Theory Of Su Xuelin In The 1930s

This thesis takes the "writers theory" of Su Xuelin in the 1930s as the research object. Using the method of close reading and comparison, through the explanation of "writers theory " and the characteristic of criticism, analyzing the occurrence of the theory of text writers of new literature criticism theory, we attempt to return to the historical site and take analysis of the new literary context of Su Xuelin’s "writers theory". On this basis, dig the "writers theory" of criticism view, criticism standards, criticism methods that Su Xuelin holds and make the explanation of the criticism art of Su Xuelin’s "writers theory", to make a detailed inquiry of the criticism value and significance of Su Xuelin’s "writers theory".The first part is the introduction, evaluation of Su Xuelin presents both of praise and blame in academia, which provides a solid and effective starting point and the foothold for expansion of this study. On this basis, make analysis of the topic research present situation, and finally point out the research methods and value significance of the selected topic.In addition to the introduction, the main body of this paper is mainly discussed from six aspects.. The first chapter is about the occurrence of "writers theory" and Su Xuelin’s "writers theory". This part carries on the theory explanation to the "writers theory", and through the literary of context, Historical inheritance of critical style, literary style in the literary world of the writer,30 s criticism of the theory of practice, history and practice on thought three aspects analysis literature criticism theory text "writer". On this basis, make analysis of the occurrence of Su Xuelin’s "writer theory" from the four angles of life road, literature road, subject identity and theoretical resources. The life road of Su Xuelin is traditional and secular, and her literary road is liberalism and bourgeoisie. Her subject identity is a collection of writer and scholar professor and critic. Her theory of resources is the integration of traditional and modern theory of resources.The second chapter is about the view of criticism based on the " literature text " standard "writers theory". This article mainly make analysis of the critical views held by Su Xuelin’s "writers theory" from the three levels of ideological position, literary orientation, aesthetic pursuit. What Su Xuelin welcomes the criticism attitude is "criticism is criticism itself". From the ideological standpoint, Su Xuelin doesn’t seem to talk about politics and take literature as the basic, but is actually a liberal stance; From the perspective of literature orientation, Su Xuelin’s relationship between literature and life is contradictory and comple; From the view of aesthetic pursuit, Su Xuelin is diversified and more inclined to modernism.The third chapter is about standard of criticism of "writers theory" based on "self-identity" scale. There is no unified critical standard of Su Xuelin’s "writers theory ". As to the criticism object, some adopt the standard of art, some adopt the moral standard, some adopt the standard of politics, which is completely relied on personal subjective preferences that both show a preference for modernism and show attention to writer’s personality and moral cleanliness. On this basis, this article from three aspects of the aesthetic position, religious orientation, the personality characteristic to make analysis of the reasons why Su Xuelin make her own likes and dislikes as criticism standard.The fourth chapter is about "writers theory" criticism methods in "microscopic text". Su Xuelin’s "writers theory" combines the rational and calm of " scholar type " and lofty and narcissistic of "academe faction". Her criticism methods are made up of rational empirical criticism, aesthetic experience criticism and open comparative criticismThe fifth chapter is acute and perceptual criticism art of "writers theory". Su Xuelin embarks from the style and relies on the works. "Writers theory" presents an open field of view and unique personal feeling and inner experience and prose, romantic style drift.The sixth chapter is the value and reflection of Su Xuelin’s "writers theory". Su Xuelin presents many contradiction and limitation, but she takes a positive self-image and self choice in the contradiction between traditional and modern, east and west. Her "writers theory" enriches the criticism mode of the 30’s writers theory, and together they with them laid the foundation of Chinese modern theory criticism mode.At the end of the paper, we survey the whole of the study. With finding the defects, we hope that this research can play the role of the topic, and hope that more researchers will focus on the criticism of Su Xuelin’s "writers theory" in 1930s, so as to make the academic study of Su Xuelin more deepen, systematic and comprehensive.