The Mode Of Domestic Television Play Under The "Aesthetic Feature Of Middle Class"

Early in the last century, the concept of social class has appeared in china. As Chinese social transformation and structural adjustment, this concept is no longer defined by a single economic capital; culture capital is also an essential condition. The "middle class" of our country is strengthening constantly and began to play a role in our society, which also influence the spread and development of the media culture. On the basis of existing research results, this paper starts with the aesthetic difference between the different social classes, taking the most important part of China’s film market --- Movies and Teleplays as the research object and making the combination of its development model with the social class. According to the Pierre Bourdieu’s theory---’social stratification’ and ’taste of distinction’, then we mainly studies the aesthetic feature of the "middle class" and the audience who were influenced by the middle class’s preference and makes a profound analysis how their preference effect the development of theMovies and Teleplays. In addition,under the environment of media convergence, this paper also devote to solving those issues that appears on the development model of those kinds of Movies and Teleplays.