Reconstruction Of Historical Context- "Situational Logic" Theory And Art History Research

As art history as an independent discipline first established in the 19 th century German-speaking countries, so there is a "mother tongue is German art history" argument. Art history as an ideological weapon, play a decisive role in the German classical philosophy, especially a master of classical philosophy of Hegel’s philosophy of history with the establishment of systems for the development of art history provide a solid ideological foundation. Hegel artistic sensitivity and insight is unmatched, his accomplishments and influence and few people can match. But precisely because of this, for he views art history influenced entire generations of art historians later studied art history was during "Spirit" as outlined, is guided by "historical determinism" approach.Mid-20 th century, as the representative of the philosophers Popper of Hegel’s philosophy of history and questioned the proposed "situational logic" theory as an alternative to the theory of Hegel’s system. Then Popper’s friends and admirers, Gombrich introduced to study art history. This article is for the "situational logic" start on the theory of "situational logic" the background and premise, occurred in the development of the route, and then explained "situational logic" theoretical significance and impact on the study of art history.This paper is divided into four chapters. The first chapter describes the theory of art historians and art history under Hegel’s system and its influence, which is "situational logic" put forward the premise and background. In Hegel’s philosophy of history, the "Spirit" is the core concept reflected in the history of art is the "spirit of the times" for promoting the arts. Riegl, Taine even Panofsky and other art historians have varying degrees affected by its philosophy of history. The second chapter Popper "situational logic" theory of the sort. "Situational logic" For Hegel "historical determinism" in a strong criticism. Its "zero method" evolved by the process economics, and Collingwood’s "soul again" have a similar purpose, but the method has ruled out psychological factors, emphasized objectivity. Chapter III focuses on "situational logic" Theory and Application Development in Western art history research. Gombrich and "situational logic" into the research of the history of art, the use of historical context to explain the iconography of the program, with "Vanity Fair" to explain the competition, fashion and art patron in the history of art in. Thereafter,Baxendale and Haskell with their way of interpreting the "situational logic" approach in Art History. The fourth chapter focuses on the meaning and impact of "situational logic" Theory. "Situational logic" for the historical context of reconstruction and concern, not only to shake the status of the Hegelian system in art history, and more importantly, its marked art history to sociology research steering.