The Image Of Wang Zhaojun In The Women’s Poems In Ming And Qing Dynasties

The research object in this paper is the Zhaojun poems created by the women in Ming and Qing dynasties. The paper aims at having a special study about the image of Wang Zhaojun in the poems of the women in Ming and Qing dynasties.In the introduction part, it briefly summarizes the research significance and the general situation of the creation of Zhaojun poems created by the women in Ming and Qing dynasties, and the research status of this study is reviewed.The first chapter discusses the source and evolution of Zhaojun story, mainly summarizes the acceptance and rejection of women poets in the Ming and Qing dynasties. The aim is for later study.The chapter two has a classification research on the Zhaojun’s image of women’s poems in Ming and Qing dynasties, mainly divides the image into three categories: the traditional sad woman for the cross-region marriage, the loyal minister without regrets for dead and the heroine being an official in Qilin pavilion. Through the discussion of all kinds of image, illustrates the characteristics of each type of image and manifestation.The third chapter studies the relationship between the poetry image management and the Zhaojun’s image-building. Embracing Pipa is the typical image of Zhaojun during her lifetime. The Qingzhong is a monument after her death. Therefore, Pipa and Qingzhong are closely related to the shape of Zhaojun image. These all uncover the Wang Zhaojun’s image from the perspective of text analysis.The fourth chapter puts emphasis up on the distinctive image of Zhaojun in women’s poems from the perspective of comparing with contemporary male poets. This chapter contains two parts, the first one is the deepening of sad image, and the second one is the heroine song of praise.Research on the image of Wang Zhaojun in the poems written by the women in Ming and Qing dynasties helps us to understand the features of women’s writing and the difference of women’s emotion. It may provide a classic case for the study of women’s writing in Ming and Qing dynasties.