Transformation From Classic Novel To A Movie Script Style

Lolita is the most controversial in the 1950 s of a postmodernism novel, named the "since world war II affect the world’s 100 book" the throne, frequently appear in cultural groups of words, the position of the literary classics, the author Nabokov is recognized outstanding novelist of the 20 th century and stylist.This novel has attracted two famous director’s eyes it made into a film: one is a 1962 American director Stanley Kubrick filming in the UK; The other one is 1997 British director Adrian lane in the United States.Over the academic circles of Lolita from novel to film transformation research mostly focused on the literature theory of standard to judge the film research Angle, but neglected the belonging to different artistic media.This article selects the readability of from novel to both literature and the form of films in literary style transformation point of view of the script and style of the stylistic theory transformation from the macroscopic and microscopic two aspects of narrative transformation analysis of Lolita.In the introduction part, firstly introduces the novel Lolita and screenplay translation research, including research background, research status and the innovation of the research.Then the second chapter, mainly is based on Mr Qing-bing tong stylistic theory,systematically from the Angle of macroscopic stylistic features and the novel Lolita screenplay stylistic features of the genre, style and style transformation and compare the differences.The third chapter, mainly in the text, on the basis of introduced from the angle of the micro Lolita script from style to style of narrative, including the transformation of narrative strategy and narrative.Is concluded from the style of the novel to a movie script is not simple "elements" genre transformation, but the two have different stylistic features of the transformation between the text generated by the conclusion.