| Nowadays, all kinds of TV reality shows emerge in an endless stream, different types of programs such as talent show, singing competitions, dating shows and so on are developed one after other. Among all above, outdoor reality TV shows based on parenting or athletics become more and more popular due to the desire of spying on stars’ privacy being satisfied. Referring to sound production and packaging, to differ with singing competition shows such as < super girl >, < happy boy >, < good voice of China >, < I am singer >, outdoor reality TV shows try to use flexible ways to package sound elements so that provide audience a visual and sound feast, for example,attaching much weight to package language, music and live sound.As a branch of TV programs, inevitably,outdoor reality shows also emphasizes the mutual unity of both picture and sound. The modeling function of sound elements not only get into the program set of characters and content, but also to the construction and active effect of entertainment atmosphere. Under the combination of audio-visual, the audience from the outdoor reality shows can not only watch the stars’ words and deeds as ordinary people’s, also, the audience feel relaxing and get the sense of happiness of the spirit.With the principle as combination theory and practice, this research will analyze the very popular outdoor reality shows form China and South Korea, especially elaborate on sound elements in language, music and live sound. Through comparing the two cases, analyze the link and distinction between outdoor reality shows form China and South Korea, so that provide theoretical help for China’s production of TV show.The thesis is divided into four parts, the first part is the introduction, expounds the reason of this research topic, research status and research contents; The second part describes the types and the functions of voice of the outdoor reality shows,also states the sound theoretical basis; The third part with examples, starting from the three other categories of sound, compares the differences of sound produce between shows from China and South Korea; the fourth part discusses the enlightenment about how to use sound technically and effectively based on the different ways used in outdoor reality shows. At the same time, this research also supplement and complete thesound modeling field in outdoor reality shows. Above all, this thesis aims at strengthening flexible usage of sound elements in the outdoor reality shows which based on localization reengineering and content innovation, then to create a more high-quality outdoor reality shows, and bring a higher level of the audio-visual feast for audience. |
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