The Effects Of Composite Materials For The Development Of Chinese Water Color Process

Watercolor is water to reconcile transparent paint a painting method, because of unique writing style and unique aesthetic effect and is known as a "light music". Modern watercolor painting was born in the west, mid eighteenth century British watercolor art has been the development of a mature, this watercolor breaks through the practical functions as a topographic map of the expanded out, gradually has become a unique expressive force of independent painting, watercolor can be graceful light bright light music, watercolor can also highlight the ethos of the window, watercolor in warm Chinese closeness should not be lost, watercolor always used its unique artistic charm people to experience the art of freedom. Yiwubasannian, from Italian Michele Ruggieri and Matteo Ricci officially settled in Guangzhou, Zhaoqing, Western painting through the western missionaries in China as a missionary opportunities began in the dissemination and development, watercolor painting which in China landing. Watercolor painting the overall development process include water color material, the concept of painting, artistic features, artistic expression of a series of elements, in under the influence of various parts of the development and interaction, and promote the development of watercolor painting. The development of Chinese watercolor painting has experienced before the period of May Fourth Movement in the development of Chinese watercolor material use, the Chinese watercolor painting material to the May 4th new period of use, since the new period in the development of Chinese watercolor comprehensive use of materials and so on several stages.And role of watercolor in the domestic research mainly concentrated in watercolor painting in contemporary influence and materials of watercolor produced, did not relate to the effect of material on the production of Chinese watercolor development vein, and comprehensive material status in the development of Chinese watercolor. Based on this, this paper determines the relationship between the development of comprehensive materials and the development of Chinese watercolor painting, as well as the use of contemporary watercolor art for the use of integrated materials and other issues. This thesis is mainly from six chapters. In the introduction part, it points out the research background, research significance, feasibility analysis, the main problems and research difficulties, and so on. In the second chapter, it mainly discusses the related concepts, and discusses the narrow definition of water color and the broad definition of watercolor. In fact, the difference between the two concepts is the difference between the material use. Chapter three mainly comprehensive materials and Western watercolor painting development by analyzing the concept’and morphology of composite materials, and composite materials in the development of Western watercolor painting process of application, and points out the effect on the development of watercolor painting in the west by comprehensive materials and inadequate. The paper’s focus shifted to China, the whole development period is divided into before the period of May Fourth Movement in the development of Chinese watercolor material use, the Chinese watercolor painting material to the May 4th new period of use, since the new period in the development of Chinese watercolor comprehensive use of materials and so on several stages, starting from the fourth chapter. The fourth chapter analyzed before the period of May Fourth Movement in the development of Chinese watercolor material use are pointed out:the implied change of watercolor painting in aesthetic, the early main works and creative features analysis, pointed out the shortages existed in early development. Chapter five discusses to the May 4th new period Chinese watercolor painting material using, this period watercolor get attention and popularity, the maturity of the nationality creation, showing the many adaptation characteristics. Finally, it points out the development of watercolor painting in the experience and deficiency. The sixth chapter introduces the application of comprehensive materials in the development of Chinese watercolor since the new period, and points out the new breakthrough of the comprehensive materials in water color painting. The conclusion part is a summary of the full text.