The Study On The Female Images In Zhou Daxin’s Novels

In the end of eighteenth century, with the development of bourgeois revolution, women’s Liberation Movement started in western society. Women’s participation in the political, economic and cultural fields has greatly improved. After the New Culture Movement, the Chinese women’s Liberation began. In the 1980’s, with the influence of Feminism, the status of females had been improved, women participated actively in the social construction, to prove the value of themselves. To echo the realistic society, the female images in modern and contemporary literature have various forms. Henan writer Zhou Daxin describes a vivid world of the female images, the female images are stereo and full of cultural connotation. In Zhou Daxin’s novels, female images have distinct personality characteristics and unique process, they have social history label and they bear the thought of writer on their fate. As scholars began to pay attention to the value of women in the field of culture and literature, the female images in his novels can be the object of study, to analyze how Zhou Daxin writes the female images as a male writer. To analyze them in the view of society, history, region and culture, to reveal ideological value, cultural connotation and the practical significance.By combing the female images in Zhou Daxin’s novels, they can be divided into three types:dedicated women, the women have strong self-awareness and degraded women. There is the cultural connotation behind their character, from the view of writer’s creation, there are motivation and influence of creation. The female images in Zhou Daxin’s novels have the aesthetic value and practical significance. Through vivid and colorful female images, Zhou Daxin express the deep thought of social system, the relation between man and nature, the inspiration to the change of time, and the deep sentimentally attached to the regional culture. He gave the female image of rich life experience and the notion of self expression, through the female image, he called out to the love and beauty. However the dominant position of female images in the narrative structure also cannot cover his potential male chauvinism. How to balance the balance of the sexes, it may be the problem that Zhou Daxin cannot be ignored in the future.