The Contemporary Inheritance Of Traditional Folk Arts And Crafts

During the long period of agricultural society, the traditional folk arts and crafts are often cultural symbol of somewhere which is the specifically region or nation. It also reflect the way of lifestyle,the mode of production,natural resources,folk cultural historical inheritance etc. in the region. Traditional folk handcrafts rooted in specific space area in which related to the people’s daily life closely. In modern society,the development of economic and cultural are indispensable for a country.Just as companies enhance products competitive by build brand,"Cultural is the National Brand"!As an important part of national cultures,the traditional folk arts and crafts has become increasingly precious in modern society.In recent years,people begin to gradually pursuit traditional handcrafts with which the feature of exquisite,natural and full of humanity since the drawbacks of industrial products’ simplification,batched, standardization,replicability etc. have been exposed.There ever has been "Trend of Returning"about handcrafts.Well,how the traditional handcrafts better integrate into people’s life,then continually developing in the contemporary era with changing times?This thesis takes Shandong handwoven cloth weaving skills as a case study,using the method of theoretical research and practical applications to discuss the inheritance mode and the future development of traditional folk arts and crafts on contemporary.The study is divided into three parts. The first part is the introduction which give a interpret to the proposal, value, main research methods, innovations and difficulties, the related defined conceptions and the summarized of existing published papers.The second part is the body of the paper,mainly reflective describe the traditional folk handicrafts present situation and future development combined with the example of Shandong handwoven cloth weaving skills on the condition of combing and analysis the existing related lectures,deeper and detailed fieldwork.lt is divided into four chapters.The first chapter mainly discuss the achievements of contemporary theoretical research about traditional folk arts and crafts inheritance including three sections:the summary of traditional folk handicrafts,integral living inheritance theory and the research as intangible cultural heritage.Chapter two is a case study of Shandong handwoven cloth weaving techniques about traditional folk handicrafts,described the historical formations,the necessity of inheritance and development and the current situation about Shandong handwoven cloth weaving skills, and the change of modern audiences’aesthetic psychological.Chapter three is to look at the modern inheritance crisis of Chinese traditional folk handicraft from the case study of Shandong handwoven cloth weaving, included the changes of inheritance modes about traditional folk handicrafts,the current crisis and cause analysis, and a concrete representation of modern transformation predicament with Shandong handwoven cloth weaving skills three sections.Chapter four is the theme that opportunities and constructions:the prospective of new inheritance mode of traditional folk handicraft. Analyze the new way forward of traditional folk handicraft from which change times of Shandong handwoven cloth weaving skills,then analyze the variety of new inheritance modes in contemporary society.The third part (Chapter five) is a conclusion,respond to the whole article entirely and draw the several points on the present situation of traditional folk arts and crafts.The main conclusions of this thesis are given:point out that multiple-subject cooperation all together is an effective way to promote the contemporary inheritance of folk crafts, summarize that the diversification of the inheritance mode is the consensus about the inheritance and protection of traditional folk handicrafts on contemporary,and conclude that national folk handicrafts will probably be the art of Museum one day in the future.etc.