New Forms Of Traditional Counterpoint In Contemporary Works

The twentieth century isthe renaissance for polyphonic music,while the 20 th century is all new composing ideas, new technology focused on the outbreak of the period, a new blend of old in the same period a collision would have a lot of phenomenon worthy of study.As a new music style in the mid-20 th century, there is a clear distinction between the electronic music and the traditional music, from acoustic features to organization. The composers in the twentieth century explored and innovated in this area and left a large number of outstanding achievements. Among them, there is a part of electronic music works by combining electronic music with traditional instruments.What kind of relationship between the two bits of it?Is there the traditional ideas and techniques to position the foundation of it under such fresh preparation, avant-garde musical language package?In this paper, the French composer Denis Cohencreated as electronic music and piano works《Jeux》in 1989 as a starting point, by combining analysis shows that electronic media with traditional media(traditional musical instruments) brought about by the avant-garde music features, and reveal its deep traditional creative thinking, as well as the traditional alignment techniques how to skillfully combined with modern composition techniques, which brought out a new charm.The article is divided into the following sections: introduction, work overall analysis, technical analysis of the position and conclusion.The paper focuses on the following two points: 1.It shows the internal structure of the first avant-garde contemporary music through the analysis of the overall work, as well as the core theme of the whole song through use. 2.See through the appearance to perceive the essence.Voice arrangement of this piece, music language and paragraph structure are relatively vanguard at that time and the current time, this article will comb the relationship between electronic music and piano music, piano part itself the alignment technique, and try to show a new way of expression, as well as control the role of traditional polyphonic deep thinking and techniques in contemporary avant-garde music with traditional polyphonic thinking techniques in which played.In the so-called new music, such a problem is worth demonstrated and explored whether the traditional thinking and technology is also their space to play. By analyzing this article I hope to initiate newcomers in this field and innovate on the basis of evolving innovation, which is the successful experience of many composers in history.This experience is deserved to learn from for our Chinese composers and find an unique concept style of our own music.