Study On Visual Representation Of Witchery Culture Works By Jiang Bibo

With the rapid development of the industrial society, humans’ material desire is increasing, the negative influence of which has degraded humans’ spiritual pursuit,leading to problems such as historical rootlessness, floatability and loss of belief.Witchery culture as the origin of the Yangtze river civilization, in carrying forward the Chinese spirit, carry forward Chinese traditional culture, find life belief on such issues is of great significance. Taking Jiang Bibo wu culture works of visual representation as the research object, through to the chongqing, WuXi on-the-spot investigation, interview, combining with Jiang Bibo wu culture, the related literature,interviewing Jiang Bibo, Jiang Bibo wu culture works analysis interpretation system research.This paper analyzes the research issue through four parts. First, the research origin and perspectives for witchery culture works by Jing Bibo are analyzed. Second,the creation perspectives of witchery culture works by Jing Bibo are analyzed,including anesthetization of the life style and romantic and mysterious thinking of the witchery culture. Third, the representation of visual symbols in the witchery culture works by Jing Bibo is studied. To be specific, based on artworks by Jing Bibo, the author analyzes and studies from the visual image of the poetic and wise witch, the attribute of landscape symbols in the witchery culture, different art forms and representation of visual symbols of the same witchery culture. Second, the representation of visual symbols of the witchery culture works by Jing Bibo is discussed, and the Hanfeng Shengu Scenic Area in Wuxi is detailed in great details.