Combination Of Chinese And Western Success In Nanyang

Liu Kang is the pioneer in the movement of western painting artist in the 1930 s, the age of 23 after Shanghai fine arts schoole as professor of western painting, after 1937 moved to southeast Asia in Singapore, and settle for a long time engaged in art education, art and the art community leadership work, is one of the important painter, art educator in Singapore.Liu’s special life experience resistance led to the domestic art history of its research is weak, the center of this paper is on a case study of liu, the key to solve Liu Kang in the period of the Republic of China and the historical status, Liu’s contribution to the art development in Nanyang and Nanyang painting style artistic achievement of three aspects. Paper is the first part of the content to the textual research of liu’s resistance to early experiences and artistic activities, from life, study, creation, teaching, communication and so on several perspective liu folk activities, discusses the factors to form its character and artistic style, explore its teaching during the Shanghai fine arts schoole in teaching, the creation and social situation, its important painter’s historical position during the period of the Republic of China. The second part mainly introduces liu in 1937 moved to Nanyang after resistance by participating in art education, creativity and leadership community promote the prosperity and development of the southeast Asian art, and his achievements on crayon and Nanyang painting style. The third part mainly liu nanyang style of drawing according to the subject matter is divided into two categories, figure painting and landscape painting, and its different artistic characteristic, found liu attaches great importance to the sketch creation concept, resistance to the local conditions and customs in the tropics, the aesthetic appeal of Oriental and western art skills will converge, formed a unique regional style.The Study shows that Liu Kang is a rich experience and achievement of special artist, he melts penetration of Chinese and western learning and life experience, and both in China and southeast Asian art development contributed a contact, and through its Nanyang painting style influenced the art development of southeast Asia. Therefore, both of Chinese art history and art history of southeast Asia, or the Chinese and foreign art exchange, liu resistance is an important and unique and artists that cannot be ignored.