The Subjective Movie Camera Language

Beyond is a feature of the subjective film, and it is often regarded as a variable form. The film has two unique subjective and essential conditions:Introspection and subjectivity. Italian film master Michelangelo Antonioni’s works to the rational thinking, keen eye for beauty and unique philosophical perspective, through the relationship to the survival of the individual attention to explore the human and the external world. Antonioni’s film "Michelangelo’s gaze" is a typical subjective film, which provides a channel for our in-depth understanding of the subjective film.This paper mainly explores and clarifies a field which is not clear yet. Subjective film in the form of diverse, deep, so people are not interested, it is an open experimental field, there is no rule, this field is not true, but in the production of real. These movies can cross boundaries, breaking the so-called type theory, the experiment and integration of a variety of linguistic forms, which is also the essence of the charm of the subjective film and the reasons for it. Increasing importance in the field, not only to study film and of various and changing, has come to dominate the mass media, literature, audio-visual and Electronic Arts and subjective and autobiographical expression form is also true. And other broader and more mainstream genres, themes and film form compared, this is a relatively small minority areas. Through the research and practice of the subjective film, people are encouraged to participate in the film more personally and subjectively, and promote the development of experimental film and independent film.