The Research Of The Islamic Voice Of Koran, Praised Words Reciting In LinXia City

Based on "multi factions coexist"of Islam which is the most important religious and cultural phenomenon in Linxia City in Gansu Province,this paper is about ceremony voice of Ikhwan,HuFuYe Menhuan which is inherited from two factions doctrine of Islamic fundamentalism, the Soviet Union in Linxia city.This paper presents and compares Commonness and individuality of ceremony voice of Ikhwan,HuFuYe Menhuan,combines history, geographical factors behind differences of ceremony voice of Ikhwan,HuFuYe Menhuan, to further explore the relationship between the voice concept formation of Ikhwan.HuFuYe Menhuan and religious concepts, historical context, local culture, voice experience,voice function.This paper discusses the relationship between "voice" and "culture",then rituals from the local voice to echo the overall study of Islamic culture in Linxia City. This paper uses fieldwork method and the model of "Sound-behavior-the concept" of Ethnomusicology/Music Anthropology, and refer to foreign Islamic research results about the sound/music concept to expand research and writing. This study on the one hand provides an important regional case studies for the Chinese Islamic cultural studies and domestic and foreign "Islamic voice",on the other hand provides the comparable data to the inherited conditions, manner of spread of Islamic religious culture in different countries, regions.There are three big chapters in this paper.Chapter one has two aspects,one introduces the formation and development of Islam, Muslim groups in the linxia area and the status quo of inheritance,spread in linxia city.The other one briefly presents the order of historical development,the differences of religious doctrine of Ikhwan,HuFuYe Menhuan,tries from the diachronic and synchronic dimension to present cultural background and religious context of the research object. The second chapter firstly Comparatively describes and explains reciting the Koran, praised words sound, behavior in the ritual of Prayers,ceremony,"amal"of Ikhwan,HuFuYe Menhuan,then develops with "overall preliminary analysis" and "melody morphological analysis". The third chapter is based on the description and analysis of the second chapter,discusses respectively from the three parts of "overall identity under the Islamic religious beliefs", "the sectarian internal identity of Ikhwan,HuFuYe Menhuan", "identity of Muslims in sound experiences".The first part tells that Ikhwan,HuFuYe Menhuan have formed the common cognitive to recite the Koran, praised words in the process of inheriting the basic faith of Islam "only god" and following Islamic main worship; The second part is based on the analysis of religious concept,cultural identity behind the different voice of Koran, praised words reciting of Ikhwan,HuFuYe Menhuan to present the influences which the thought of Arab fundamentalism,"worship mourn" custom of Chinese folk make on concept of voice of Ikhwan,HuFuYe Menhuan; The third part is based on the music concept of Islam, by investigating the Muslim in the experience and cognitive of the voice of the Koran, praised words reciting to discuss this voice which has the function that is similar to the music plays an important role for the soread of religion, expansion of sectarian.