The Late Ming Dynasty Calligraphy Shape Change And Its Causes

This article from the Ming dynasty ChaoGang regime and calligraphy art of different shape, style is divided three periods, chenghua (AD 1368-1478) is regarded as the beginning of the Ming dynasty, the book during this period the wind inheritance on inheriting the tradition of yuan dynasty after wine, affected by the wind of restoring ancient ways snowballed into a regular flow of beauty of calligraphy "leaves", popular in the whole in one’s hand. From zhengde jiajing, longqing hongzhi-calendar time span of more than 80 years (AD 1488-1572) as a mid Ming dynasty, this one phase in ChaoGang regime under the push of social stability, economic prosperity, thought liberation, is the people of calligraphy aesthetic changes, the "leaves" the wind. The "TieXue" cursive in literati calligrapher book traces the tang, song, with the help of the wind opened the prelude of the Ming dynasty calligraphy.From wanli to the late Ming dynasty (AD 1573-1644) as a late Ming dynasty, during this period, ChaoGang regime is not stable, social unrest, various trends of emerging, in art will present a diversified pattern, form the traditional neutralization and peculiar personality all the way along the wind from each other, to the Ming dynasty calligraphy art has reached the peak. In this paper to the evolution of the late Ming dynasty calligraphy shape to focus in this paper. Late Ming, crisis-ridden countries ChaoGang regime and its ruling group internal power struggle is very intense. In the rapid development of social economy monetization phase, promote internal historic changes have taken place in the society and implies the undercurrent of change. Rapid economic increase, the individuality liberation thoughts in the late Ming also arises at the historic moment, affected by wang yangming mind, represented by li zhi "TongXinShuo". Challenging the orthodox ideology. Late Ming ideological transformation, for the creation of the late Ming dynasty thinking, creative idea, creative writing form, aesthetic style and shape provides the open spirit of artistic vision and ideas. In the era of the cultural background, the development of the late Ming dynasty calligraphy into the transitional period, marched into the traditional "subversion", make public individual character creation stage. Calligraphy inner consciousness, such as pen, lines, words, structure, composition, etc.) and the external form, such as forms, aesthetic style, genre, style, etc.) as the shape and aesthetic style evolution and change of gradient, calligraphy shape "fan" big to small to the emergence of the "axis" calligraphy strong indication calligraphy shape change.This paper expounds the late Ming dynasty calligraphy shape change and its causes, which contains four aspects:first, the Chinese calligraphy shape mainly divided, according to the cultural background of Chinese calligraphy shape and different laws of calligraphy shape technology and elaborates the aesthetic style, shows that the late Ming dynasty calligraphy shape evolution of the form process of compared with other dynasties calligraphy shape. Secondly, cursive script to Xu Wei JuZhou"ZiMei" and WangDuo JuZhou running script "ZiSi" in this paper, the JuZhou calligraphy changes in shape and style. Third, the late Ming dynasty literature and art is influenced by wang yangming, a large number of shoka personal temperament and the emotion got fully release, make the technical rules of calligraphy, aesthetic style and shape the unprecedented "subversion". Fourthly, heritage and development is the old adage of calligraphy study, based on the research of the late Ming dynasty calligraphy shape change and its causes, can see the creator in the shape of calligraphy, calligraphy skills, aesthetic heritage and development, innovation and the revelation and influence of "subversion". From the above four, this paper analyzes the artistic value of late Ming dynasty calligraphy shape change, and suggests that the current creators in calligraphy creation form, creative idea, style and artistic form many aspects, such as the importance of inheritance.