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The Research Method Of The Gelug Sect Of Tibetan Buddhism Dance

Posted on:2017-03-23Degree:MasterType:Thesis
Country:ChinaCandidate:M J KaFull Text:PDF
GTID:2295330491956585Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Tibetan dance can be divided into religious dance, The palace dance, folk dance. And religious dance is hurrying activities cham in Tibetan buddhist monasteries, th ey wear a symbol of the mask in cham’s performance, on behalf of the responsibility to protect the multiplier with Tibetan Buddhism in various Musical Instruments, whic h is a mime format.the guardian deity cham in Tibetan Buddhism image is not only on the shape of the simulation, but the characteristics of each protective deities and de mons sense of shock and awe in a dancing posture, through the dynamic display of the body. Simulating the image of the brave and intimidation makes the feelings of perfo rmers and only they can feel the charm of the embodied in the dance movements, with solemn terrible mask expression and action features of hideous and complete show pr otect dharma and a plot yield is unknown.This thesis is to long wu monastery cham as a field research object, to Tibetan B uddhism cham historical background, current situation of the development of general overview. This paper mainly introduced the "sect" monastery "long wu monastery cha m field investigation, from the "long service monastery" cham cultural connotation, d ance style, performance time, form, performance character, as well as to the handheld device and masks record in detail the characteristics, and in order to facilitate the hidd en HanXueZhe reading, in this thesis will also each round dance performance, action, multiplier, Musical Instruments, and the name of the role play with the name of the tib etan-Chinese bilingual translation and Tibetan Latin annotation,cham with its unique artistic style and outstanding Tibetan Buddhism colors at h ome and abroad by the broad masses of concern and love.cham the creation of conde nsed the older monks of outstanding talent and artistic originality, Qiangmu heritage i s carrying forward the culture of Tibetan Buddhism never stop, cham the developmen t needs of a generation of monk unremittingly to pursue.
Keywords/Search Tags:long wu monastery, cham, performancecontent, dance moves and cultural connotations
PDF Full Text Request
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