Japanese Photograpgy In The Spatial Concept Of Mono-ha

an important school of Art School of things appear as Japan on 1960 s, in the traditional Japanese culture as the origin of Japanese traditional culture, not only the material sent type deduction, but the impact of this period of Japanese photography. This paper explains the connotation of image art by art schools, try from a new perspective of in-depth analysis of photography behind the cultural awareness.20 the 60 century is a special period with a complex situation for the Japanese nation. After two after World War II recession, two times of western culture cleaning, the crisis of traditional culture, is the state of social unrest, Japan also photography in this period not only changed. Is to expand the style, more Japanese photographers began to focus on the individual consciousness and out of the blind Western video art status. And in the background of Japanese art schools In view of the space to send to send one by one analysis of the origin of culture directly affects the spatial concept and traditional cultural spirit of the Japanese vague consciousness and thinking. In this paper, the art of “between” and “field” and “objects” and other core connotation and the traditional Japanese aesthetic sense of “false”, “Su”, “micro”, “Qi”, “secret combination to interpretation, at the same time, the school of art and influence the formation factors, and the art of space concept to interpret the same period of Japanese photography. Eight visual styles of Japanese photographer works as an example, the interpretation of the performance. Based on the above analysis, to China photography give reflection and inspiration.