The Study Of Mono-no Aware Aesthetics In Japanese Films

Mono no aware since the Japanese Edo era Guoxue home Nobuyuki has been proposed,as the Japanese traditional literature,aesthetics,philosophy,an important concept of the concept.Mourning aesthetics is the core content of Japanese traditional aesthetics system,and it is a distinctive local aesthetic ideology.Exist in the Japanese national culture and literary works,but also the Japanese way of life and thinking of the aesthetic habits.This paper,from a more comprehensive perspective,studies the aesthetics of Japanese mourning,summarizes the emergence,development and aesthetic characteristics of Japanese mourning,analyzes the plot of Japanese sorrow,and emphasizes the aesthetics of mourning aesthetics in specific film cases The beauty of death,the beauty of tragedy,the beauty of moving,the beauty of femininity,and the interpretation of the mourning thoughts in the movie audio-visual language.At the end of the paper,the author discusses the development of mourning aesthetics in the film,and gives a general view of the practical significance of mourning aesthetics for the Japanese film.It provides theoretical support for the field of study of Japanese mourning aesthetics.