The Literary Writing Under The New Spatial Experience

Modern Transportation produced in the industrial revolution. It is disruptive to the influence of the modern people’s life. After it along with the modern civilization from west to east, the mechanization of public transportation revolution. Shuttle between them or in the city is linked to the people, or in a more vast earth connects the city and the city, city and countryside, or the sea to the east and the west being shortcut(ships become more preferred manner between east and west). Ancient China accepting process of modern means of transport, basic is the process of China’s modernity, period is full of twists and turns and difficult, but as the modern people to accept the western civilization, modern means of transport in the city to a day-to-day work, in people’s life and plays a more and more important role. Westerners associated with western material civilization and the western culture to Chinese ancient earth caused by the impact of the traditional society and its ideas almost is upside down, and this is the writer’s literary creation had an indelible influence, and outstanding performance in the author’s work. There are a number of modern Chinese literature text involves the writing of new vehicles, new feeling is the most representative novel. Modern means of transport not only provides the writer with the stage of action, character itself constitute an important part of the novel, become the new image, a new subject of literary writing, the source of new techniques, occupy the important position in modern Chinese literature. Is trains, automobiles, trams, ships in the 1930 s new transportation tools such as the golden period of development in China, in the vast modern literature text also has a large number of the profound reflection of concrete.Based on the experience of the new space for research perspective, from the three aspects of modern means of transport and ’30 s literary writing to witness.The first part discuss the discovery of new landscape and literature writing. New means of transport for its speed of trains, automobiles, trams, etc for the first time contact Chinese passengers with a new visual experience, people in the room fast way, found out the scenery and the stillness of the individual in carriage, aeriform in this change in the rate at which come from the physical appearance, affects people’s perception for a new era, a new concept of time and space. And modern city turbulent car tide and mixed groups constitute the new principle of the survival and the pace of life, city ills of many social problems in modern means of transport in the conceptual change in space and time of become more evident, and lead to chaos and multiple people values.The second part through the space between urban and rural transformation under the conflict to explore the cultural connotations behind the text description. The emergence of new traffic tools to narrow the urban and rural space and time distance, make possible the close contact between the two. Most villagers in arrived in the city, but in order to come down in the back end; Urban rover with relaxed attitude came to the countryside, travel trend has given rise to a lot of travel stories, but the eyes of the scenery, the heart is filled with the country, eventually return with heavy mentality. Urban and rural space and time and bring wealth and hope to the countryside, more is a devastating blow, reflecting the irreconcilable contradiction between tradition and modern.The third part from the collision of western culture to explore the national consciousness and consciousness of colonial writer writing. New means of transport in China, itself a western symbolism and colonial nature of modern material civilization. Represented by new feeling sent the writer pursuit of English and western expression, reflect their urban identity and colonization of modernity tendency in writing; Yu Dafu, assists, and MAO Dun writer’s writing on the use of English is superior, as foreigners’ running dogs, the phenomenon such as the ship to the destruction of the countryside’s criticism, reveals the author’s national consciousness and hate on western invaders. Chinese and westerners in the car or encounter on the ship, westerners as colonists XiongJiang posture and Chinese passive because of the weak home countries and resentment psychology, modern means of transport and brings new spatial experience with the color space colonialism.