The Misreading Of Chinese Elements In The Film Of Violence Aesthetics

" Violence Aesthetics " concept first appeared in the late twentieth century critics, the wider the view that " violence aesthetics" originated in the 1960 s, in Sam Peckinpah directed Pei ? West pieces which make extensive use of slow motion, classical music will be one of the scenes of violence in the form of an unprecedented show in front of an audience.The Chinese director John Woo reflected in his early films in unique style and technique is more mature and complete, to promote the birth of "violent aesthetics" of the concept. Followed by " aesthetics of violence," the violence of the art form of exaggeration and landscaping become indispensable in many commercial movie visual elements. In order to win the attention of the audience to meet the psychological thrill-seeking public, which is filled with a lot of films of various fierce fighting,martial arts action and smooth, fire scattered explosions and other violent screen. And " Aesthetics of Violence " also continued to spread to animation, games, and other fields, has become a popular.And through the " aesthetics of violence " in the process of the birth and development of research and analysis of many Western business of the film, we can see that " aesthetics of violence " on the bones naturally imprinted with a strong Chinese culture, such as in the film ritualized violent action scenes, martial arts fights picturesque general picture,beautiful slow motion, and even the role, clothing, building, dialogue and other elements in a large number of Chinese film and television work among. In unconsciously, a lot of Hollywood Movie, commercial films passively become the media of Chinese culture. With the spread of these video works, which included Chinese culture also will quietly toward the world.At the same time we are particularly difficult to find an obvious problem, and that is when we have people in the shot, such as when watching a Hollywood blockbuster movie series Westerners find Chinese cultural elements which appeared full of discordant feeling, even some of the Chinese culture is completely misinterpreted, misread and misuse of Chinese elements, and this phenomenon is still growing trend. In our ongoing efforts to improve its cultural soft power of the moment, whether it is a pro-active foreign cultural output, or passive cultural elements show in Hollywood movies, all peoples of the world will understand our culture ’s passing, therefore, analyze the West for China misreading the causes and effects of cultural elements generated for the spread ofglobalization and China’s film and television movies vulnerable to the world today, have a very real significance.In this study among the " aesthetics of violence " as a typical attempt to analyze the performance of Chinese elements in the form and transmission of video works, in order to spread our movie Foreign Cultural transformation process of how to maintain the proper context of avoiding foreign cultural output produce misreading process.