The Lyricism Variation Of Chinese New-period Poetry(1979-1999)

As a kind of poetry theory, "Lyricism" was commonly esteem poets and researchers of the Modern Chinese Poetry from the beginning of it occurred.Around the specific dimension and other issue of the “Lyrical Poetic”, poetry theorists and poets have launched a long-term theoretical argument and practice difference. "Lyric Poetic" has been repeatedly see-saw between these concepts: "public" or "personal", "Realistic" or "Pure Poetry".After entering the 1950 s, the“public” and the “nationalization” dimensions won the stage victory, it was established as the official ideology in the field of literature. But, under the domination of Socialist-Realism theory on the surface, "Lyricism",as an implicit interpretation framework of Modern Chinese Poetry, dominated the contemporary poetry invisibly. Then it goes to 1980 s, with the rise of the New-Period Poetry,New-Poetic impact "Lyricism" rule structure one after another, thence Modern Chinese Poetry Theory can gradually depart from the symmetry description under "lyricism" framework. Nineties, Modern Chinese Poetry finally jumped out of the surrounded lyricism and rediscovers the possibility beyond "Lyricism". This article tries to inspect the gains and losses of New-Period Poetry and clarify the relationship between “Lyricism” and the poetic of each stages. We hope to tease out the process of how its dominant position disappearing, and glimpse the law of the New-Era poetry,so as to provide a reference for the development of lyrical dimension to Modern Chinese Poetry.