Evolution About The Writing Paradigm Of Chinese Contemporary Literature History

Since the establishment of the People’s Republic of China,Chinese contemporary literature has experienced 70 years, and the writing of Chinese contemporary literature has already 60 years. In these years, contemporary literature history undergone complex development process. It exhibit different characteristics in different times, Especially compared to the past there have been dramatic changes in the new era, a obvious distinction formed in contemporary literature writing paradigm.There are five chapters in this paper. The introduction briefly introduces the development process of contemporary literature, then it puts forward several important issues and sorts out the achievements of previous studies.The main contents of the first chapter is the writing of contemporary literature before 1980s,the social and historical paradigm occupy the main mainstream in these terms, it make contributions to the construction of contemporary literature and so on, however, because of the policies, this paradigm also has defects and limits the continued development of contemporary literature.In the second and third chapter, literary historians realizes the defects of pervious paradigm, and they try to explore new paradigm under the influence of internal and external. Masterpiece theory and literary trend theory became widely adopted. The masterpiece theory puts the attention back to the literature itself and it is useful in discovering new texts and writers. But at the same time, this paradigm ignores some contents by mistake. The literary trend theory teases the contemporary literature history in the perspective of trend, it uncovers some works which the masterpiece theory shaded, and recognizes their unique meaning, forming another paradigm of literary history writing.The forth chapter discusses the exploration of the writing skills. The previous contents of this paper is about what can be written, this chapter is how to write the history of literature. There three parts:narrative skills, construction of special literary history and the redistricting of the history of literature.The fifth chapter examines the reason of why the paradigm changes. It occurs form both internal and external, the notion of history, different generations of the literary historians the impact of western countries, they all influence the writing of the history of literature.The last part is the conclusion, under the influence of political, social and cultural, the writing paradigm has been changing all the time, find and solve the problems, perfect the writing paradigm will make great sense to the writing of contemporary literary history in the future.