Gods Of Water Change During The Period Of The Middle Ages In The Text Image

Based on the "literature" in the Water God Imagery sorting and case analysis, study god of water imagery in the "Selected Works" text in the Classics of Style and embodied the author’s subjective feelings, personal ideals, personalized writing style and water god Images the unique combination of intricate history, imagination and other civil society level factors reveals its literary aesthetic value and historical and cultural value.The analysis of the goddess is the main part of this paper. Wushan Goddess also has God grass, cloud, the triple identity, this paper analysis the poet of the cultural origin of God grass image and goddess imagery and different periods of Goddess imagery to create a different orientation. Innovation is with the "the word spirit" of the concept of Japanese novelist Baku yumeimakura desire narrative interpretation of Song Yu and he shaped the image of the goddess on future generations far-reaching influence. the Han river goddess also has the triple attributes of Hanjiang river swim female, and Zhou Zhaowang maid, whose identity is complicated and confusing, and finally to oblivion. Xiangshui goddess also has three identities, Shun fei, Hunan hall mrs. Goddess of Xiangshui may have reference to the Han river goddess, but they belonged to different cultural products, although to integration should not be classified as one. With respect to the south of the goddess sorrowfully tangled up, due to the kings of the house of the Central Plains of Roselle image more straightforward, free and easy, but also with secular kingship contact more closely. "Luoshu" the gift of divine the Luoshui has the dual attributes of distinguished domineering and graceful Roselle also have the overbearing and charming the coexistence of dual personality, she in the novels and operas in the field of literature and popular more active, met the needs of the broader secular lust. The God part focuses on the analysis of the image and Wu bo. In the history of literature is the evil god achelous, documents of Zibu preached enlightenment Hebo and Jibu literature neutral emotional Hebo together constitute the Arethusa Earl’s three faces. Wu Zixu’s anger is the embodiment of a great charm of the vengeance, highlighting the strength and courage of the people in the face of suffering. In addition, the mysterious lightning storms shows people the apotheosis of nature. As a Chinese dragon in a long historical period is as extensive water deity worship worship symbol, it is animal deity most distinguished, is formed by imagination and superimposed on a variety of natural force virtual fetish, in literary works also has a rigid flexible and economic.Men of God’s majesty and power, the goddess of the charming and sentimental, dragon wind and thunder and lightning of the mysterious constitute the typical image of the deity world, reflecting the unique connotation of China’s water worship.