Free—In The Important Value Of Xinjiang Landscape Painting

"Freehand brushwork" is the precipitation of Chinese traditional culture, is also the important aesthetics of Chinese traditional art style. "Disconnection" is based on the artist’s understanding of traditional culture, the spirit of the age and natural object,on the basis of in-depth observation is painting and painting thinking condensation of aesthetic imagination, throughout the artistic thought in the field of Chinese painting a painting. For xinjiang, is in the interior of the motherland, geographical breadth,strange landscape, formed under the various minority groups in customs, national culture elsewhere. From the perspective of painting, these factors for the development and prosperity of xinjiang freehand brushwork in traditional Chinese landscape painting provides a wide range of soil and space. Can play a national art idea and art of freehand brushwork in traditional Chinese values, so that the oil painting art really become the national one of the means of expression.Disconnection "- in the context of the important value of xinjiang landscape painting", through the method of literature method, interview method, comparative method, etc on the significance of the concept of comprehensive research and analysis, the tentative traditional xieyi painting in the "black and white", introduced the concept of "plus or minus" freehand brushwork in traditional Chinese landscape painting, these concepts can be from xinjiang landscape, cultural environment factors such as prompted. For example: xinjiang gobi snow-capped mountains, rivers, roads,forests, shrubs,,,,,, and other objective image, the powerful painting freehand brushwork in traditional Chinese landscape painting provided by the hint and imaging, significant. One: free to be able to make xinjiang landscape painting on the direction and style features provide a new way and form of expression, is helpful for building domestic regional nationality art and cultural landscape rendering. Secondly:disconnection and promote development of landscape painting, is advantageous to the xinjiang ethnic cultural fusion and complementary, and conducive to the cultural construction of xinjiang and to the person’s emotion and the emotion rich help. Third,in modern and contemporary diverse cultural background, to study art and culture in xinjiang to provide reference and reference historical data. Its 4: multi-ethnic,multi-cultural collision and blend in xinjiang, under the condition of development and disconnection "landscape painting, can promote the local ethnic aesthetic and expand the concept of traditional aesthetics and the height.