The Research Of Oral Literature Theory Of Guangxi Minority Nationalities

The study of literary theory should include the oral form rather than be subject to written form dominated by those critics. The theory of oral literature exists certainly, the form of the theory is distributed on oral works created and received by people which are especially in those ethnic areas where even the theory of written literature is undeveloped. Minorities in Guangxi have created plenty of literary works which include lots of introspection and self-understanding, particularly in the beginning of those ballads, in fact, that can be regarded as the folk poetic. This thesis focus more on those theoretical part of the literary works from Guangxi minority areas, including those main content, from which we can conclude that those orally literary theory have illustrated itself extensively and profoundly in many respects such as the theory of function of the trend of literary thought, the theory of source,the theory of creation and the theory of appreciation and criticism. All things involved above can be regarded as a series of meaningful theories. To compare with Chinese or Western literary theory, the oral theory of Guangxi minorities is different from the western logical thought and the content of the Chinese poetic thought.Moreover, its’ way of inter-textual expression, the tendency of unification between subject and object aesthetic, the feature of liveliness and vigor aesthetic and dynamic capabilities for study enrich the literary theory framework in a certain extent,broaden the view as well as the model of Chinese literary theory which can also push the diversification in literary areas to some degree.