Research On The Semiotic Meaning Generation Of Contemporary Art Curation

The research and exploration of Chinese contemporary art curation and its development trend are an important part of Chinese contemporary art history.Contemporary art curation embodies the contemporary nature of art.The establishment of a contemporary art exhibition system marks the self-disclosure of art to the public domain.Exhibition planning is the mechanism produced by the modern exhibition system.Since the late 1980 s,the emergence of curators and curators has become an important phenomenon in Chinese contemporary art.It also marks the beginning of the 1980 s,a new wave of art movements that have evolved within the system and turned to experimental art exploration in a more open field.It not only constructs an extra-institutional discourse space in the domestic real-world context,but also becomes an alternative culture that balances the cultural mechanism.It also strives to counter Western dialectical discourse against the discourse power of international-oriented international exhibition dialogue.The localization mechanism thus presents a cultural construction with dual resistance.This article takes the classic case of curating in 10 years as the research object,combines Chinese modern to contemporary art history and art criticism and art theory,draws on the research method of semiotic theory,and analyzes the historical text of the countermeasures.It is intended to pass the countermeasures exhibition activity.And the description and analysis of the thoughts and activities of the curators in the historical context,revealing how the semiotic meanings are generated in contemporary art curation,and changing the historical context of the art and the changes in the relationship of ideas.It can be seen that the center of semiotics attention is meaning.Therefore,this paper starts from the significance of contemporary art curation,discusses the reconstruction and interpretation of meaning to explain the generation of semiotic meaning,and secondly studies on curatorial and curator.And explore,advocating the infiltration of curators and semiotics,and discovering the charm of semiotics among them in contemporary art curation.Through the analysis of the five representative exhibitions of Chinese contemporary art,and proceeding from the textualresearch of these cases,the author analyzes the main ideas of the curation and the interaction of the context at that time,and analyzes the meaning of the symbols behind it.The change of symbolic relationship and the ideological game process of curators and artists.In other words,in the context of contemporary art,meaning gradually replaces feelings,and the value of art also shifts.Contemporary art curation is a new form of art developed towards the future,and it also metaphorizes the historical planning of this contemporary art curation.From the perspective of semiotics,this paper analyzes the influence and enlightenment of important exhibitions such as "China Modern Art Exhibition" on the development trend of Chinese contemporary art.This further confirms the generation of the meaning of semiotics,which helps to better understand the standards of artistic development and the criticism of art criticism in the curatorial of contemporary art in the 21 st century.